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The Intrigue

by Minsk Minx

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1.
If I happen to catch the start of X-Factor And melt down like a nuclear reactor Well, this is not the tip of the iceberg I’m not into twelve-tone or Schoenberg It’s just my inner Adorno My inner Adorno And I’m trying to warn you It’s just my inner Adorno If the splinter in your eye’s the best glass magnifier If the CD in your player’s the best class signifier Then I might make these comments on society But it’s not a dialectic or piety It’s just my inner Adorno My inner Adorno And I’m trying to warn you It’s just my inner Adorno It’s just the writings of a disillusioned Marxist Who smiles appreciatively at modernist artists When the songs that you hear have got no meaning When the shores of California are so demeaning If you realise you can’t stand the works of Stravinsky If you’re more into Mondrian and Kandinsky Then don’t you worry about being fusty It’s the deadening effects of the culture industry It’s just your inner Adorno Your inner Adorno I’ve been trying to warn you It’s just your inner Adorno
2.
Jenny 03:12
Look who’s coming from my dreams again Look who’s hearing my screams again Look who always knows what to say Who sees the way I see myself Look who’s turned into my friend again Look whose bridges I will mend again Look whose arms I feel safest in Who always wins the games they play Oh Jenny adopt a consistent stance So, Jenny, I can give you a fair chance Look who’s lying through their teeth Look whose schtick I can’t believe again Look who always wants me to make the same mistake That ruined them Look who’s quoting Descartes again Look who’s getting me hard again Give me some Renaissance lines And a bottle of wine And I’m anyone’s Oh Jenny adopt a consistent stance So, Jenny, I can give you a fair chance Don’t try and say I want you to change You’re always different, it’s always the same When you said that you love a person who’s true Well, who told me that? Which version of you? Oh Jenny, don’t lie to me Oh Jenny, you don’t cry for me Oh Jenny, I know you’d like to be Another girl living flightily Look who’s smashing up clubs again Look who’s selling drugs again Who’s adopting a saintly look Using the holy book as a dildo stand Look whose friendship I don’t need, again Look whose number I’ll delete again Who I know I’ll welcome back And I hate it that It’s always like this Coz Jenny, adopt a consistent stance So, Jenny, I can give you a fair chance
3.
You thought she was a misfit at the altarpiece triptych But she always saw the love in your heart You were a sad sack, a gag mag, from Leicester to Manchester But you never forgot who you are But you’re not who you told Erica (her sweet, sweet love) You’re not who you sold Erica (her sweet, sweet love) Your first kiss was in a graveyard. Such a spooky little flavour Such a Tim Burton way to start Though you were sort of, I guess, in a relationship already? Well your name was tattooed onto her heart Well I hope she won’t meet Erica (her sweet, sweet love) Please don’t mistreat Erica (her sweet, sweet love) Oh, Jesus Christ, you’re so cynical Acting as if she’s your romantic pinnacle Now she’s embarking on this doomed mission And it makes me want to slap her, “girl, use your intuition!” But that’s Erica (her sweet, sweet love) Yeah it’s just like Erica (her sweet, sweet love) You were on her from the onset of the MGMT concert And you promised you’d see her again But when your fiancé asked who was at the concert You lied and told her it was a friend Well, that’s so lame to Erica (her sweet, sweet love) Pin the blame on Erica (her sweet, sweet love)

about

What happens when you leave us alone without supervision.

credits

released September 30, 2016

Written and performed by Chloe Lynch and Joe Wilson
Produced, recorded and mixed by Chloe
Cat guitar by Cabaret
Cover 'Venice Carnival' by Seb Grey

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Minsk Minx England, UK

Nuts and gum, together at last.

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